Chapter 4
Quote 1: “She also is known to have had three male students, which means she had a good reputation.”
Quote 2: “some women artists tend to emulate Frans Hals, but the vigorous brush strokes of the master were beyond their capability. One has only to look at the work of a painter like Judith Leyster to detect the weakness of the feminine hand.”
Response: Judith was good. If she was able to not only teach a male student, but three of them, she must’ve been good. However it was quickly degraded, and judged by of course a man. Perhaps she wasn’t aiming to have the same brush strokes as Frans. In fact I am sure she was aiming to have her own unique style, which again, was quickly degraded.
Chapter 5
Quote 1: “To cross dress in public she had to get a permit from the French police, signed by a doctor, and renewable every six months.”
Quote 2: “She hunted, smoked cigars, and rode her horse astride through the streets of Paris.”
Rosa decided to take a role of a man. She didn’t want to be denied freedom while on vacation with Nathalie. On top of that she was able to go beyond, being able to sell her paintings for a fortune. Dressing in drag allowed her to gain things that women weren’t really allowed to have. She fully took on being a man as she smoked cigars and hunted. She even trained herself to use a rifle to be able to defend herself and anyone else.
| Rosa Bonheur, 1852-1853, Horse Fair |
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